Sans Superellipse Ragoy 6 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Coign' by Colophon Foundry, 'Compilation Grotesk' by Estudio Calderon, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Agharti' by That That Creative, and 'Aeternus' by Unio Creative Solutions (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, sports branding, condensed, assertive, modern, industrial, poster-like, compact impact, space-saving display, modern utility, blocky, monoline, compact, vertical, high-impact.
A condensed, heavy sans with monoline strokes and tightly compressed proportions. Curves and counters are built from rounded-rectangle geometry, giving bowls and terminals a squared-off, superelliptical feel rather than true circles. The rhythm is strongly vertical, with tall ascenders and a high x-height that keeps lowercase forms prominent; spacing is compact, and the overall texture reads as a dense, continuous column of black. Joins are clean and straightforward, and most shapes favor simple, sturdy construction over calligraphic modulation.
Best suited to display typography where space is tight but impact is required: headlines, posters, signage, and bold packaging callouts. The condensed width makes it useful for stacked compositions and narrow columns, while the heavy, uniform strokes support strong legibility at larger sizes and in high-contrast layouts.
The tone is bold and no-nonsense, with a contemporary, industrial edge. Its narrow, towering stance feels urgent and attention-grabbing, lending a poster and headline energy that reads as confident and slightly severe rather than friendly or playful.
The design appears intended to deliver maximum visual impact in a compact footprint, combining a condensed structure with rounded-rectangle forms for a contemporary, engineered feel. It prioritizes strong silhouette, consistent weight, and dense typographic color for assertive display use.
Round letters such as o/c/e stay squarish in their inner and outer contours, and the numerals match the same condensed, blocky logic. The design maintains consistent stroke weight across curves and straights, producing a uniform, high-ink presence that holds together well in large, emphatic settings.