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Free for Commercial Use

Sans Superellipse Raduf 3 is a regular weight, very narrow, low contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Hype vol 3' by Positype, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, condensed, modern, utilitarian, editorial, architectural, space saving, modern clarity, consistent geometry, headline impact, monoline, vertical, rounded corners, clean, austere.


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This typeface is a tightly condensed sans with a monoline feel and an emphatically vertical rhythm. Curves are built from rounded-rectangle forms, giving bowls and counters an elongated, capsule-like silhouette with softened corners rather than true circular geometry. Terminals are mostly squared off with gentle rounding, and the joins stay crisp and controlled, producing a clean, engineered texture. The overall proportions prioritize height and narrow widths, with compact internal spaces and a consistent, even stroke presence across letters and numerals.

Best suited to space-efficient headlines, posters, and branding where a condensed voice helps fit more characters without sacrificing clarity. It can also work well in signage and packaging applications that benefit from a clean, vertical, contemporary texture, particularly at medium to large sizes.

The font reads as modern and purposeful, with a slightly industrial, architectural character. Its tall, compressed forms create a focused, no-nonsense tone that feels editorial and system-like rather than expressive or calligraphic. The rounded-rectangle curvature adds a subtle friendliness, keeping the look from feeling harsh despite the strong vertical emphasis.

The design appears intended to deliver a compact, modern sans optimized for verticality and space economy, while using rounded-rectangle curves to create a consistent, recognizable shape language across the alphabet and figures. The overall restraint suggests a focus on clarity, rhythm, and contemporary styling rather than ornamental detail.

In text, the narrow set and tall proportions create a distinctive striped rhythm, especially in runs of vertical letters. Rounded counters in characters like O, Q, and 0 maintain a consistent “capsule” motif, while the overall spacing feels calibrated for compact headlines and tight layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸