Slab Rounded Wuba 6 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Pueblito' by Corradine Fonts, 'ITC American Typewriter' by ITC, 'Emy Slab' by Latinotype, 'Edington' and 'Egyptian Slate' by Monotype, 'Typewriter Serial' by SoftMaker, and 'Gintona Slab' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, friendly, retro, chunky, playful, confident, display impact, approachability, retro flavor, brand presence, rounded, soft slab, bulbous, heavyweight, bouncy.
A heavy, rounded slab serif with soft, inflated strokes and minimal contrast. Serifs read as thick, bracketless pads with rounded corners, giving the forms a sturdy, cushiony footprint. Counters are relatively small and apertures are tight, producing dense word shapes; curves are generously rounded and joints feel smoothed rather than sharp. Proportions are broad with a tall x-height, and the overall rhythm is compact and punchy, staying highly legible at display sizes.
Best used for headlines, short paragraphs, and large-scale applications where its dense, rounded slabs can read clearly and add character. It works well on packaging, labels, and brand marks that need a friendly but assertive voice, and for signage where bold shapes and simple construction help recognition at a glance.
The font projects a warm, upbeat personality with a distinctly retro, poster-like charm. Its cushioned slabs and rounded terminals soften the weight, making it feel approachable and fun rather than severe. The overall tone is bold and upbeat, suited to cheerful, attention-getting messaging.
The design appears intended to deliver maximum impact with a soft, approachable edge—combining a stout slab-serif structure with rounded shaping to feel retro and personable. It prioritizes strong silhouettes and compact spacing for display use rather than delicate detail.
Digits and capitals carry the same padded slab treatment, keeping a consistent, blocky texture across lines. The heavy ink-traps are absent; instead, the design relies on rounded geometry and compact counters, which can make long passages feel dark but gives headlines strong presence.