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Free for Commercial Use

Serif Other Tete 2 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Sheepman' by Dharma Type, 'MARLIN' by Komet & Flicker, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Beachwood' by Swell Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, signage, logotypes, packaging, western, industrial, vintage, authoritative, punchy, impact, condensation, vintage voice, branding, condensed, flared, tapered, ink-trap, chiseled.


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This typeface is a condensed, heavy serif with strongly vertical construction and squared, rounded-corner counters. Stems and joins show subtle flare and taper rather than true slabs, with small wedge-like terminals that feel cut or chiseled. Curves are controlled and geometric, and several glyphs exhibit notch-like detailing at tight corners (especially in bowls and joins), giving a slightly engineered, ink-trap-like crispness. The overall rhythm is tight and compact, producing a tall, poster-ready texture with firm spacing and consistent stroke weight.

Best suited to headlines and short copy where a compact, high-impact presence is needed, such as posters, shop and wayfinding signage, product packaging, and logo wordmarks. It can also work for editorial display settings that want a vintage-industrial or western-leaning accent, especially when set with generous leading.

The font projects a rugged, workmanlike tone with a clear vintage flavor. Its condensed stance and sharp, flared terminals suggest old signage and display lettering, reading as confident, utilitarian, and a bit theatrical. The overall feel balances classic serif cues with a more decorative, machined edge.

The design appears intended to deliver maximum impact in minimal horizontal space while preserving a serif identity through flared, wedge-like terminals. Its squared counters and crisp notches emphasize clarity and robustness, suggesting a display face built for bold statements and strong brand cues.

Uppercase forms are particularly tall and commanding, while the lowercase keeps a sturdy, simplified structure that holds up well at display sizes. Numerals share the same compact, squared-off modeling, reinforcing a uniform, signage-oriented voice across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸