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Sans Superellipse Gadus 6 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'FF Good' by FontFont, 'Plymouth Serial' by SoftMaker, 'Frygia' by Stawix, 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection, and 'Oddlini' by sugargliderz (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, friendly, retro, energetic, impact, energy, approachability, modern display, sports appeal, rounded, compact, slanted, chunky, bouncy.


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A heavy, slanted sans with compact proportions and strongly rounded, superellipse-like curves. Strokes are thick and consistent, with tight internal counters and smooth, softened corners that keep the texture solid at display sizes. Terminals tend to feel cut and slightly angled rather than fully geometric, giving letters a forward-leaning, kinetic rhythm. The lowercase is sturdy and wide-shouldered with simple forms and minimal modulation, while numerals are equally dense and legible with large, rounded silhouettes.

Best suited for headlines, large typographic statements, and brand marks where impact and immediacy are priorities. It works well for sports and active-lifestyle messaging, packaging callouts, event promotion, and punchy editorial display. In longer text, it performs best in short bursts (subheads, pull quotes, labels) where its dense color supports emphasis.

The overall tone is bold and energetic, mixing a friendly roundness with an assertive, action-oriented slant. It reads as contemporary and sporty, with a hint of retro sign-painter/poster heft due to its compact, chunky shapes. The voice is confident and attention-grabbing rather than delicate or understated.

The design appears intended to deliver maximum impact with a friendly, rounded geometry and a forward-leaning stance. Its compact, chunky shapes prioritize bold legibility and a high-energy silhouette, aiming for modern display utility with a playful, approachable edge.

The weight and tight counters create a strong, dark typographic color, so spacing and line breaks matter for comfortable reading in longer passages. The slant is noticeable and consistent across caps, lowercase, and figures, helping headings feel dynamic while preserving clean, sans-like simplicity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸