Sans Superellipse Ogmaw 11 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Protrakt Variable' by Arkitype, 'B52' by Komet & Flicker, 'Reload' by Reserves, and 'Qotho' by Scholtz Fonts (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, tech, industrial, confident, sporty, friendly, impact, modernity, systematic, branding, clarity, rounded, squared, compact, geometric, high-contrast counters.
A heavy, geometric sans built from squared-off curves and rounded-rectangle construction. Strokes are consistently thick with softly radiused corners, giving bowls and counters a superelliptical feel rather than purely circular forms. Apertures are generally tight and counters are compact, producing a dense, blocky rhythm suited to large sizes. Uppercase proportions are sturdy and wide-set, while lowercase keeps a clean, simplified structure with single-storey shapes and minimal modulation. Numerals follow the same rounded-rect logic, reading like engineered signage forms with smooth terminals and firm, stable silhouettes.
This font is well suited to headlines, posters, and short emphatic copy where its dense shapes and rounded-rect geometry can read clearly. It can also work for logos, packaging, and signage that want a contemporary, engineered feel, and for UI labels or dashboards when set with ample size and spacing.
The overall tone is modern and assertive, with a distinctly technical, manufactured character. Rounded corners keep it approachable, but the compact counters and squared curves add a utilitarian, performance-oriented edge that feels at home in contemporary interfaces and product branding.
The design appears intended to combine strong display presence with a coherent geometric system based on rounded rectangles. Its simplified forms and consistent corner treatment suggest a focus on bold, contemporary communication with a tech-leaning, industrial polish.
The design relies on consistent corner radii and squared bowls across letters and numerals, creating a cohesive, system-like texture. In longer text, the weight and tight internal space make it more of a display-forward face than a delicate reading font, emphasizing impact and clarity over airiness.