Sans Superellipse Ogdaw 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Cybersport' by Anton Kokoshka, 'Cintra' by Graviton, 'LHF Advertisers Square' by Letterhead Fonts, and 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: posters, headlines, packaging, sports branding, signage, industrial, sporty, punchy, friendly, impact, clarity, modern utility, brand voice, rounded, blocky, compact, sturdy, soft corners.
A heavy, rounded-rect sans with squared counters and softened corners throughout. Strokes are consistently thick with minimal modulation, producing a dense, poster-ready color on the page. Curves tend to resolve into superellipse-like bowls (C, O, e), and terminals are broadly cut and rounded rather than tapered. The uppercase feels compact and robust, while the lowercase is simple and utilitarian with single-storey forms and short, sturdy extenders; the dot on i/j is a small rounded square that matches the overall geometry. Numerals echo the same blocky, rounded-rectangle construction, keeping widths and apertures tight for a uniform rhythm.
Best suited to headlines, posters, and branding where strong presence and quick recognition matter. It works well for sports and fitness identities, product packaging, labels, and punchy UI or wayfinding moments that benefit from a compact, high-impact sans.
The font projects a tough, no-nonsense attitude softened by rounded corners, balancing assertiveness with approachability. Its compact shapes and squared bowls create an industrial, athletic tone that reads as modern and practical rather than delicate or expressive.
The design appears intended to deliver maximum weight and clarity with a geometric, rounded-rectangle construction—aiming for bold visibility, a contemporary utilitarian voice, and a cohesive look across letters and numerals.
Counters and apertures are relatively tight, which increases impact at display sizes and can reduce openness in smaller settings. The overall spacing and rhythm feel engineered and consistent, with a strong emphasis on rectangular structure and softened joins.