Sans Faceted Anmo 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Linotte' by JCFonts and 'Mundial Narrow' by TipoType (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids media, event flyers, playful, quirky, comic, chunky, handmade, expressive display, handmade texture, comic impact, rugged charm, angular, chiseled, irregular, blocky, crooked baseline.
A heavy, all-caps-forward sans with sharply faceted contours that replace curves with short planar cuts. Strokes are consistently thick and low in contrast, with irregular polygonal rounding in bowls and counters that keeps forms lively and slightly unstable. Letters show uneven widths and a subtly wobbly baseline and alignment, creating an intentionally rough, cutout-like rhythm rather than strict geometric precision. Numerals follow the same blocky, angular construction, with open apertures and simplified joins that favor bold silhouette over fine detail.
Best suited to short, high-impact text such as posters, headlines, packaging callouts, and playful branding where a bold, handmade texture is desirable. It can also work for titles in kids’ or comedic contexts, but the irregular rhythm favors display settings over extended small-size reading.
The overall tone is playful and mischievous, with a handcrafted, slightly chaotic energy. Its faceted shapes suggest something carved or torn from paper—more cartoon and DIY than corporate—giving headlines a loud, humorous voice.
The design appears intended to deliver a strong display voice with a deliberately imperfect, faceted construction—prioritizing character and silhouette over typographic neutrality. Its consistent planar cuts and chunky proportions aim to evoke a crafted, energetic feel while remaining straightforward to set in mixed case and numerals.
Uppercase forms read strongly at display sizes, while smaller text shows the intended jittery texture through uneven edges and varying internal counters. The faceting is consistent across rounds (C, O, G, Q) and diagonals (K, V, W, X), producing a cohesive ‘chopped’ texture without adding decorative strokes or serifs.