Sans Superellipse Pidom 7 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Niquitta Mirzani' by Arterfak Project, 'Komu' by DizajnDesign, 'Double Porter' by Fenotype, 'Privilege Sign JNL' by Jeff Levine, and 'Frontage Condensed' by Juri Zaech (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos, industrial, condensed, punchy, retro, authoritative, space-saving, high impact, brand voice, retro utility, rounded corners, tall proportions, closed apertures, compact counters, stencil-like.
A tall, tightly proportioned sans with heavy, even-weight strokes and rounded-rectangle shaping throughout. Corners are consistently softened, bowls and counters feel compact, and many curves resolve into squared-off terminals rather than fully circular forms. The rhythm is vertical and compressed, with short crossbars and limited horizontal spread, giving letters a stacked, sign-ready silhouette. Numerals and capitals maintain the same blocky, superelliptical geometry for a highly uniform texture in lines of text.
Best suited to short-form copy where impact and economy of width matter—headlines, posters, signage, and packaging panels. It can also work for logo lockups or bold labels when you want a compact, vertically emphatic word shape that holds together at large sizes.
The overall tone is bold and utilitarian, leaning toward industrial and display-oriented work. Its condensed stance and compact counters create a forceful, slightly retro voice that reads as assertive and mechanical rather than casual or friendly.
The design appears intended to deliver maximum visual impact in minimal horizontal space, using rounded-rectangle construction to keep the heavy strokes cohesive and consistent. It prioritizes a strong silhouette and uniform texture for display settings where authority and clarity at a distance are key.
Spacing appears tuned for dense setting, producing a dark, continuous typographic color at text sizes. The rounded corners help prevent the extreme weight from feeling sharp, while the constrained apertures contribute to a solid, poster-like presence.