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Free for Commercial Use

Serif Humanist Dofi 8 is a regular weight, normal width, high contrast, italic, short x-height font.

Keywords: editorial, book design, magazines, invitations, branding, literary, refined, classic, graceful, warm, text elegance, classic voice, italic emphasis, calligraphic feel, editorial tone, calligraphic, bracketed, tapered, fluid, old-style.


Free for commercial use
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This italic serif shows calligraphic construction with noticeably modulated strokes and tapered terminals. Serifs are small and bracketed, with a soft entry/exit that keeps forms lively rather than mechanical. Curves are round and slightly asymmetrical, and many joins feel pen-driven, producing a gentle forward rhythm across lines. Proportions lean toward a compact lowercase with a relatively short x-height and prominent ascenders/descenders, while capitals are poised and open, pairing well with the slanted lowercase. Numerals share the same italic motion and stroke contrast, reading as text figures rather than rigid, geometric forms.

This design fits editorial typography—book interiors, magazine features, and pull quotes—where a warm, classical italic is needed for emphasis or tone. It also suits cultured branding, packaging, and formal communications that benefit from a traditional, calligraphic serif voice, especially at medium sizes and above.

The overall tone is bookish and cultivated, with a friendly, human warmth behind its formality. It feels traditional and elegant without becoming brittle, giving text an expressive, handwritten undertone. The italic angle and lively terminals add a sense of motion suited to emphasis and narrative voice.

The font appears intended to deliver a classic, old-style reading texture with an expressive italic character, translating broad-pen influence into a polished, contemporary text tool. Its balanced contrast and bracketed finishing aim for elegance and continuity across extended passages while retaining a distinctly human rhythm.

In longer text the face maintains a consistent diagonal flow, helped by open counters and clear differentiation between similarly shaped letters. The italic forms are assertive enough for display lines, yet restrained in detailing, keeping paragraphs cohesive and calm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸