Hollow Other Tiga 2 is a very bold, narrow, high contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'ITC Franklin' and 'ITC Franklin Gothic LT' by ITC, 'Latino Gothic' by Latinotype, 'PG Gothique' by Paulo Goode, and 'Franklin Gothic' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, signage, playful, retro, crafty, quirky, bold, display impact, textured styling, retro flavor, handmade feel, chunky, rounded, stencil-like, distressed, inked.
A compact, heavy display face with chunky, rounded outlines and simplified, mostly geometric construction. Letterforms are built from thick strokes with frequent internal knockouts that read like irregular perforations, creating a hollowed, stencil-like texture running through stems and bowls. Curves are smooth and bulbous, corners are softened, and counters stay relatively small, giving the set a dense, poster-ready rhythm. Spacing is straightforward and the overall silhouette remains consistent across caps, lowercase, and numerals, with the cutouts providing most of the visual variation.
Best suited to headlines and short statements where the hollowed texture can be appreciated—posters, event graphics, packaging, labels, and bold branding marks. It also works well for signage-style treatments and themed display copy where a handcrafted, retro tone is desired.
The irregular interior perforations lend a handmade, stamped feel that comes across as playful and slightly gritty. Its bold presence and quirky texture evoke vintage signage and craft packaging, balancing friendliness with a touch of roughness.
Likely designed as an attention-grabbing display font that mixes friendly rounded shapes with distinctive internal cutouts to create a memorable, tactile look. The goal appears to be strong impact at larger sizes while adding character through irregular hollow detailing rather than intricate outlines.
The knockout pattern is most noticeable in vertical strokes and rounded bowls, producing a lively, speckled texture at larger sizes. Because the internal cutouts compete with small counters, the design reads best when given enough size and contrast to let the pattern resolve clearly.