Hollow Other Tiga 6 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Fuller Sans DT' by DTP Types; 'Franklin Gothic', 'ITC Franklin', and 'ITC Franklin Gothic LT' by ITC; 'Franklin Gothic SH' by Scangraphic Digital Type Collection; 'Franklin Gothic' by URW Type Foundry; 'Ryman Gothic' by W Type Foundry; and 'Franklin Gothic Raw' by Wiescher Design (names referenced only for comparison).
Keywords: posters, headlines, album art, event flyers, packaging, grunge, stenciled, industrial, punk, distressed, texture, impact, ruggedness, diy, chunky, blocky, inked, textured, knockout.
A heavy, blocky sans with compact proportions and squared terminals, featuring irregular internal knockouts that create a hollowed, cut-out texture through many strokes. The silhouettes stay broadly geometric and upright, while the interior cutouts introduce a rough, mottled rhythm that varies from glyph to glyph. Counters are generally tight, apertures are small, and joins are sturdy, giving the face a dense, poster-like color. The texture reads like chipped paint or perforation, with high contrast between solid fills and bright voids inside the letters.
Best suited for large-scale display settings such as posters, punchy headlines, event flyers, and cover or album artwork where the distressed interior texture can be appreciated. It can also work on packaging or labels aiming for a rugged, industrial feel, especially with ample size and spacing.
The distressed cutouts give the font a gritty, utilitarian attitude that feels street-level and handmade rather than polished. Its bold presence and noisy interior texture suggest a raw, energetic tone suited to rebellious or DIY messaging.
The design appears intended to combine a straightforward, heavy sans structure with an irregular hollowed texture, creating a tough, worn-in look that stands out immediately. The consistent outer forms provide readability, while the cutouts add character and a distinctive printed-on, weathered effect.
In running text, the internal knockouts become the dominant detail, adding visual noise that can reduce clarity at smaller sizes. At larger sizes the texture becomes legible and intentional, while the sturdy outer outlines keep word shapes strong and stable.