Sans Superellipse Yiwe 2 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Muller Next' by Fontfabric (names referenced only for comparison).
Keywords: headlines, logos, posters, sports branding, packaging, sporty, assertive, retro, loud, playful, high impact, motion, brand punch, retro display, rounded, soft corners, oblique, blocky, compact counters.
A heavy, oblique display sans built from rounded-rectangle forms and smooth superellipse curves. The shapes are broad and low, with dense interiors and compact counters that emphasize mass over detail. Terminals are consistently softened rather than sharply cut, while joins stay clean and geometric, giving the letters a molded, aerodynamic look. Curved letters (C, G, O, S) read as thick, continuous bands, and the figures follow the same wide, chunky construction for a unified texture in headlines.
Best suited to large sizes where its rounded, chunky construction can act as a graphic element—headlines, cover lines, posters, and promotional layouts. It can also work for logos and wordmarks that want a fast, sporty feel, as well as packaging and signage where immediate impact is more important than extended readability.
The overall tone is energetic and punchy, with a sporty, poster-ready attitude. Its rounded geometry keeps it friendly and slightly playful even at maximum weight, while the slant adds motion and urgency. The look leans retro-futurist and can feel reminiscent of bold branding, racing graphics, or arcade-era titling.
This design appears intended as a high-impact display italic that combines geometric rounded forms with maximum weight for instant visibility. The softened corners and continuous curves suggest a deliberate move toward a friendly, aerodynamic aesthetic while retaining a strong, attention-grabbing presence.
In text blocks the weight creates strong horizontal emphasis and a dark, highly graphic rhythm. The italic angle is substantial, so spacing and line breaks become part of the visual impact; it reads best when given room and used for emphasis rather than long passages.