Sans Superellipse Wogy 1 is a very bold, very wide, high contrast, italic, normal x-height font visually similar to 'Banigar' by Azzam Ridhamalik (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming titles, packaging, sporty, assertive, techy, retro, impact, speed, display, branding, compressed counters, ink-trap cuts, rounded corners, oblique, blocky.
A heavy, oblique sans with broad proportions and rounded-rectangle geometry throughout. Strokes are thick and tightly enclosed, producing compact counters and strong silhouettes, while strategic cut-ins and notches (ink-trap-like interruptions) appear at joins and in bowls to keep forms open and energetic. Curves read as superelliptical rather than circular, and terminals are generally blunt with softened corners, giving the face a machined, aerodynamic feel. Numerals and capitals carry a strong forward lean and a consistently low-contrast interior rhythm that emphasizes mass and speed.
Best suited to short, high-impact settings such as headlines, posters, event graphics, sports identities, esports/gaming titles, and bold packaging callouts. It can work for brief subheads or UI labels when set with generous spacing, but the dense, stylized counters make it less ideal for long-form reading.
The tone is forceful and kinetic, with a motorsport/athletics energy and a slightly futuristic, game-title edge. The rounded block forms keep it friendly enough to feel modern rather than aggressive, but the slashed details and strong slant add urgency and momentum.
The design appears intended to deliver maximum impact with a streamlined, fast-forward personality: wide, rounded block shapes paired with purposeful cut-ins that maintain clarity under heavy stroke weight. The overall construction suggests a display face built for branding and attention-grabbing typography rather than neutral text setting.
At text sizes the tight counters and notched interiors create a distinctive texture that can look intentionally "cut" or segmented, especially in letters with bowls and crossbars. The wide stance and slanted posture make line lengths feel visually fuller than a typical grotesk, so spacing and leading become important for dense copy.