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Free for Commercial Use

Slab Square Toza 4 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Vitesse' by Hoefler & Co.; 'Calanda', 'Orgon Slab', and 'Shandon Slab' by Hoftype; 'Quitador' by Linotype; 'Metronic Slab Pro' by Mostardesign; 'Core Slab M' by S-Core; and 'Etelka Slab' by Storm Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, retro, assertive, editorial, workwear, impact, emphasis, momentum, sturdiness, brand voice, slab serif, oblique, blocky, bracketless, ink-trap free.


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A heavy, oblique slab serif with broad proportions and sturdy, square-ended serifs. Strokes are largely uniform with minimal modulation, producing a compact, high-impact texture and a steady rhythm. Terminals and slabs read clean and blunt rather than tapered, and counters are kept open enough to maintain clarity at display sizes. The overall fit feels generous, with wide capitals and robust lowercase forms that hold their shape in dense settings.

Best used for headlines, posters, and short bursts of copy where strong typographic impact is desired. It fits well in sports and team-style branding, bold packaging, labels, and punchy signage that benefits from an energetic slant and stout slabs.

The face projects a confident, punchy tone with a distinctly retro, athletic flavor. Its slanted stance adds momentum and urgency, while the blocky slabs keep the voice grounded and workmanlike. Overall it feels suited to energetic, attention-forward messaging rather than quiet neutrality.

The design appears intended to combine the authority of a heavy slab serif with the speed and emphasis of an oblique stance, creating a compact, high-visibility display voice. Its square terminals and steady stroke weight suggest a focus on durability and clarity in bold branding contexts.

The numerals and caps share a consistent, squared construction that reinforces a strong headline presence. The italic angle is noticeable but controlled, avoiding cursive movement and keeping the letterforms firmly typographic. In the sample text, the dense black weight creates bold emphasis quickly, so careful leading and tracking can help maintain readability in longer passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸