Sans Superellipse Hagof 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'Nicomedia' by Artegra, 'Plasma' by Corradine Fonts, 'Meguro Sans' by GT&CANARY, 'Absalon' by Michael Nordstrom Kjaer, and 'Olney' by Philatype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, tech, industrial, sporty, futuristic, bold, impact, modernity, robustness, clarity, systematic, rounded, squared, blocky, compact, geometric.
A heavy, geometric sans with squared, superelliptical curves and generously rounded corners throughout. Strokes are consistently thick with minimal modulation, producing dense counters and a compact, punchy silhouette. Curved forms (C, G, O, Q, 0) read as rounded rectangles rather than pure circles, while joints and terminals favor blunt, cut-off endings. The lowercase is sturdy and utilitarian with simple construction and tight-looking apertures, and the numerals match the same boxy, softened geometry for a highly uniform set.
Best suited to display settings where strong, clean shapes need to read quickly—headlines, poster typography, bold brand marks, packaging callouts, and wayfinding or environmental graphics. It can also work well for UI headers and dashboard labeling where a robust, geometric tone is desired.
The overall tone feels engineered and contemporary—confident, tough, and slightly futuristic. Its rounded-square logic suggests a digital/industrial sensibility, while the mass and softened corners keep it approachable rather than sharp or aggressive.
The design appears intended to deliver maximum impact with a cohesive rounded-rectangle geometry, combining industrial sturdiness with friendly corners. It prioritizes consistency and bold readability for contemporary display typography.
The font’s visual rhythm is driven by repeated straight segments and rounded corners, giving text a modular, stamped feel. Wide bowls and squared curves help maintain consistent texture in headlines, and the heavy weight creates strong presence even in short words and labels.