Sans Other Olpe 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Avega SS' by Sensatype Studio (names referenced only for comparison).
Keywords: headlines, posters, game ui, sports branding, tech packaging, techno, industrial, arcade, military, blocky, impact, futurism, utility, modularity, branding, angular, square, stencil-like, condensed apertures, sharp corners.
This typeface is built from heavy, squared forms with crisp 90° corners and frequent chamfered cuts that create a hard, engineered silhouette. Curves are largely suppressed in favor of rectilinear construction; round letters like O/Q are rendered as squared counters, and joins often step or notch rather than flow. Counters are compact and angular, terminals are flat, and several glyphs include cut-ins that read as stencil-like voids, contributing to a modular, machined rhythm. Spacing and widths vary by character, but the overall texture remains dense and strongly geometric.
Best suited to display contexts where impact and a geometric, technical personality are desired—such as headlines, posters, esports or team marks, game/interface typography, and packaging or labeling for tech-forward products. It can also work for short callouts or badges where legibility is supported by sufficient size and spacing.
The overall tone feels utilitarian and futuristic, with strong associations to industrial labeling, sci‑fi interfaces, and arcade or game UI aesthetics. The sharp notches and squared counters add a tactical, coded flavor—more command-console than friendly signage.
The design appears intended to deliver maximum visual punch through squared geometry and deliberately carved negative spaces, creating a distinctive, futuristic sans voice that reads as modular and industrial. The consistent use of notches and boxy counters suggests an emphasis on a systemized, constructed aesthetic over conventional humanist readability.
In the sample text, the dense shapes and small openings can close up visually at smaller sizes, while at larger sizes the angular details and distinctive cut-ins become a defining feature. Numerals and capitals maintain the same boxy logic, reinforcing a consistent, system-like voice across mixed-case settings.