Sans Superellipse Usbo 5 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Nizzoli' by Los Andes, 'Absalon' by Michael Nordstrom Kjaer, 'Magistral' by ParaType, and 'Olney' by Philatype (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui labels, modern, technical, confident, clean, friendly, impact, clarity, modernity, brand voice, rounded, squared, sturdy, compact, geometric.
A heavy, geometric sans with rounded-rectangle construction and soft corners throughout. Curves read as controlled superellipses rather than true circles, giving counters a squarish, engineered feel. Strokes are consistently thick with minimal modulation, terminals are clean and mostly flat, and joins are crisp with only subtle rounding to prevent sharpness. Proportions lean broad and stable, with generous inner counters in letters like O, P, and R, and simplified, blocky diagonals in K, V, W, X, and Y. Numerals follow the same squared-round logic, with notably boxy bowls in 8 and 9 and an open, angular 4.
Best suited to display roles where strong presence and quick recognition are needed, such as headlines, brand marks, packaging, posters, and wayfinding. It can also work for short UI labels and navigation elements where a sturdy, geometric voice is preferred, though the heavy color makes it more impactful than subtle in long passages.
The overall tone is modern and assertive, with a tech-forward cleanliness that still feels approachable because of the rounded corners and inflated, cushiony shapes. It communicates strength and clarity rather than delicacy, and reads as contemporary, utilitarian, and slightly industrial.
The design appears intended to deliver a bold, contemporary sans built from rounded-rectilinear geometry, prioritizing clarity and a distinctive, engineered silhouette. The consistent stroke weight and softened corners suggest a goal of combining robust legibility with a friendly, modern finish.
Spacing appears even and deliberate, supporting solid rhythm in all-caps while keeping mixed-case text dense and punchy. The lowercase maintains straightforward, single-storey forms and simple terminals, reinforcing a functional, signage-like clarity.