Sans Superellipse Gukas 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Flexo' by Durotype, 'Glober' and 'Uni Neue' by Fontfabric, 'Kohinoor Devanagari' and 'Kohinoor Gurmukhi' by Indian Type Foundry, 'Cachet' by Monotype, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: ui labels, app branding, headlines, wayfinding, posters, friendly, modern, techy, playful, clean, approachability, modernization, ui clarity, brand warmth, rounded, soft corners, geometric, compact, high contrast-free.
A rounded, geometric sans with superellipse-inspired bowls and consistently softened corners throughout. Strokes keep an even thickness, with broad curves and short, flattened terminals that create a compact, blocky silhouette. Counters are generous and clearly opened, while joins are smooth and controlled, keeping forms crisp despite the heavy rounding. Uppercase feels sturdy and squared-off in its curves, and lowercase follows with simple, highly legible constructions and minimal modulation.
This design suits interface typography, dashboards, and product surfaces where clarity at medium-to-large sizes matters and a friendly, modern tone is desired. It also works well for headlines, packaging, and wayfinding-style graphics that benefit from sturdy shapes and highly readable counters.
The overall tone is approachable and contemporary, combining a friendly softness with a quietly technical, UI-like precision. Its rounded rectangles and steady rhythm give it a playful warmth without becoming informal or handwritten.
The font appears intended to deliver a contemporary geometric voice built from rounded-rectangle forms—prioritizing clarity, consistency, and a welcoming feel for modern brand and screen-forward applications.
Distinctive details include the squarish, rounded bowls (notably in C/G/O/Q) and the generally flat-ended strokes that avoid sharp points. The numerals match the same softened geometry, producing a cohesive, sign-like presence in headings and interface contexts.