Sans Superellipse Eslem 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Siro' by Dharma Type, 'Panton' by Fontfabric, and 'Raker' by Wordshape (names referenced only for comparison).
Keywords: branding, headlines, posters, signage, ui display, sporty, modern, dynamic, techy, friendly, emphasis, motion, modernization, approachability, clarity, rounded, oblique, compact, geometric, soft terminals.
A slanted sans with chunky, low-contrast strokes and rounded-rectangle (superelliptic) geometry throughout. Curves are squared-off at the extremes, producing soft-cornered bowls and counters, while terminals stay clean and largely unbracketed. Proportions feel compact with a steady rhythm and slightly condensed-feeling joins, and the overall texture is dense and even in text. Numerals and capitals follow the same rounded-corner construction, maintaining consistent weight and curve behavior across the set.
This font performs best in display contexts where a strong, slanted voice helps lead the eye—branding, headlines, posters, and short promotional copy. Its compact, even texture also suits signage and large UI labels where clarity and punch matter. For smaller body text, it will likely be most effective in short bursts rather than extended reading due to the dense, heavy color.
The combination of oblique stance, heavy build, and softened rectangular curves creates an energetic, contemporary tone. It reads as confident and functional, with a friendly edge from the rounded corners rather than a sharp, aggressive italic. The overall impression is sporty and tech-forward, suited to messaging that wants motion and impact without looking harsh.
The design appears intended to merge geometric, rounded-rectangle construction with a forward-leaning stance to signal speed and modernity. By keeping contrast minimal and corners softened, it balances impact with approachability, aiming for a versatile contemporary display sans that stays coherent across caps, lowercase, and numerals.
Round forms tend to look more like rounded squares than perfect circles, giving the face a distinctive engineered feel. The italic angle is noticeable but controlled, helping long lines keep a forward-moving cadence while remaining legible. Diacritics and punctuation aren’t shown, but the displayed core set suggests a tightly unified design language across letters and digits.