Sans Other Myrir 7 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Bhelt' and 'Ft Zeux' by Fateh.Lab, 'Heavy Duty' by Gerald Gallo, 'POLIGRA' by Machalski, 'Stallman Round' by Par Défaut, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, game ui, playful, chunky, retro, bold, cartoon, display impact, novelty, retro flavor, brandability, high visibility, rounded corners, blocky, softened, stencil-like, compact counters.
A heavy, block-built sans with softened corners and mostly rectangular geometry. Strokes are uniformly thick, with squared terminals and occasional carved-in notches that create a slightly stencil-like, cutout feel. Counters tend to be small and angular (often rectangular), giving the design a dense, poster-ready texture. Proportions are compact with a tall lowercase presence, and widths vary by glyph (notably wide W/M versus tighter E/F), producing an energetic, uneven rhythm. Numerals follow the same chunky construction, with an especially rounded, stacked “8” that stands out against the otherwise boxy system.
Best suited for short, high-impact settings such as headlines, posters, logos/wordmarks, labels, and packaging where bold shapes can carry personality. It can also work for playful game or entertainment UI titles, but is likely less comfortable for long passages due to tight counters and dense texture.
The overall tone is loud, friendly, and retro-leaning, suggesting arcade signage, comic display, or novelty packaging. Its chunky silhouettes and cutout details feel approachable and a bit mischievous rather than formal or technical.
The design appears intended as a characterful display sans that prioritizes strong silhouettes and a constructed cutout motif. It aims to be immediately recognizable at large sizes, delivering a compact, punchy rhythm for branding and attention-grabbing titles.
The distinctive notches and inset corners give the face a constructed, modular personality that stays consistent across cases. Spacing in the sample text reads tight and compact, reinforcing a dense “headline block” look where texture matters more than fine detail.