Sans Superellipse Mifo 10 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Nicomedia' by Artegra, 'Mercurial' by Grype, 'ITC Handel Gothic' and 'ITC Handel Gothic Arabic' by ITC, 'Absalon' by Michael Nordstrom Kjaer, 'Olney' by Philatype, 'RBNo3.1' by René Bieder, and 'JP Alva Expanded' by jpFonts (names referenced only for comparison).
Keywords: headlines, branding, logos, posters, packaging, techy, futuristic, friendly, sturdy, clean, distinctive geometry, modern branding, display impact, interface feel, approachable tech, rounded, squared, geometric, soft corners, monoline.
A heavy, geometric sans built from rounded-rectangle and superellipse shapes, with monoline strokes and generously softened corners. Curves resolve into squarish bowls and terminals, creating a consistent, blocky rhythm across caps, lowercase, and figures. Counters are fairly open for the weight, and many joins and terminals end in smooth, radiused caps rather than sharp cuts, producing a cohesive, manufactured look. Numerals and key forms (like O/Q/0) emphasize squareness with rounded corners, reinforcing the font’s modular geometry.
Best suited to display roles where its chunky, rounded-square geometry can define a strong visual identity—headlines, brand marks, product packaging, and poster graphics. It also fits interface-style titling, signage, and labels when a clean, technical feel is desired and sizes are large enough to showcase its softened corners and tight, modular forms.
The overall tone feels modern and engineered, with a friendly softness that keeps it from reading as aggressive. Its rounded-square construction suggests tech interfaces, industrial labeling, and contemporary sports or gaming aesthetics—confident, clean, and slightly futuristic.
The design appears intended to merge the clarity of a geometric sans with the distinctive personality of superellipse-based letterforms. By prioritizing rounded-square bowls, uniform stroke weight, and smooth terminals, it aims to deliver a robust, contemporary voice that remains approachable and highly recognizable in short text.
Uppercase proportions read compact and sturdy, while the lowercase maintains clear silhouettes with simple, single-storey constructions where visible. The squarish round letters and flattened curves give words a distinctive “capsule” texture, and the punctuation and dots appear similarly rounded and solid, supporting bold, high-impact setting.