Sans Contrasted Tadiv 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice, 'Gullying' by Din Studio, 'The Pincher Brothers' by Larin Type Co, and 'Core Sans E' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, editorial, confident, lively, retro, friendly, punchy, impact, approachability, retro flavor, headline clarity, rounded, bracketed, ink-trap, ball terminals, soft corners.
A heavy, rounded display face with subtly flared terminals and gentle stroke modulation that creates a softly sculpted, almost engraved color on the page. Curves are generous and well-supported, with compact counters and slightly pinched joins that read like mild ink-traps in places. Several letters show small bracket-like transitions at ends and joins, giving a softened slab-like impression without crisp, high-contrast serifs. Lowercase forms are sturdy and open enough for short text, with a single-storey a and a compact, looped g; punctuation and numerals share the same stout, rounded construction.
Best suited to headlines, posters, and brand-forward typography where a strong, warm presence is desired. It can work for editorial decks, packaging, and short callouts, especially when you want a bold voice with a slightly retro flavor rather than a purely neutral sans.
The overall tone is bold and upbeat, mixing modern sans simplicity with a retro, sign-painting warmth. Its softened terminals and chunky rhythm feel approachable and energetic rather than austere, lending a friendly, attention-grabbing voice.
The design appears intended to provide a high-impact sans with added personality through rounded geometry, soft terminal treatment, and controlled modulation. It aims to balance punchy display weight with a friendly, approachable texture for contemporary branding and headline use.
In paragraphs the face builds a dense, dark texture, so spacing and line length will strongly influence readability. The distinctive terminal shaping becomes most noticeable at larger sizes, where the subtle flares and join details add character without turning ornamental.