Sans Normal Uhlig 16 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'FS Benjamin' and 'FS Siena' by Fontsmith, 'Ragik Sans' by Hurufatfont, 'Dialog' by Linotype, 'Skeena' by Microsoft Corporation, 'Lucida Sans' by Monotype, 'Organic Pro' by Positype, and 'Arlonne Sans Pro' by Sacha Rein (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, modern, friendly, confident, clean, approachable, impact, clarity, approachability, modern utility, versatility, rounded, soft-cornered, open, sturdy, high legibility.
A sturdy sans with broad proportions and generous internal space. Strokes are consistently heavy with smooth, rounded curve joins and largely squared terminals, creating a calm, stable texture. Round letters like C, O, and G are close to circular with even weight, while straight-sided forms (E, F, H, N) stay crisp and geometric. The lowercase is compact and readable, with a double-storey a, single-storey g, and simple, straight descenders on p/q; counters remain open and clear even in dense text.
Its broad shapes and heavy color make it effective for headlines, branding, and display settings where impact and clarity are needed. The open counters and simple constructions also support short to medium blocks of text, especially in UI labels, packaging copy, and signage where readability at a glance matters.
The overall tone is modern and approachable, combining confident weight with softened curves that keep it from feeling harsh. It reads as friendly and practical rather than flashy, with a straightforward, contemporary voice suited to clear communication.
The design appears intended as a contemporary, high-impact sans that stays friendly and readable through rounded geometry and open apertures. It aims to deliver strong presence in display use while retaining enough clarity and regularity for practical editorial and interface applications.
Numerals are robust and highly legible, with round forms (0, 8, 9) staying open and balanced. The uppercase shows a notably wide stance that gives headlines a strong, stable presence, while the lowercase maintains an even rhythm for longer passages.