Sans Superellipse Gumir 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Navine' and 'Revx Neue' by OneSevenPointFive, 'Beachwood' by Swell Type, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos/wordmarks, industrial, techy, sturdy, modern, utilitarian, clarity, impact, systematic, modernity, robustness, squared, rounded, compact, blocky, geometric.
A heavy, geometric sans with squared proportions softened by generous corner rounding. Curves are drawn as rounded-rectangle/superellipse forms, producing compact bowls and counters, while straight stems and flat terminals keep a rigid, engineered feel. Stroke weight is uniform with minimal modulation, and the overall rhythm is tight and dense, especially in capitals and numerals. The design emphasizes stable, monoline construction with crisp interior corners and consistent rounding across shapes.
Performs best in display settings where strong silhouette and dense color are desirable: headlines, posters, signage, and packaging. The sturdy geometry also suits logos and wordmarks, especially for technology, industrial, or automotive-adjacent identities. In longer passages it can work for short blocks or UI callouts when ample size and spacing are available.
The font conveys a functional, industrial tone—confident and no-nonsense, with a subtle tech/transportation flavor. Its rounded-square geometry feels modern and robust rather than friendly or handwritten, suggesting equipment labels, systems, and contemporary branding.
Likely intended as a contemporary display sans that translates industrial geometry into a cohesive rounded-square system. The consistent corner treatment and uniform strokes point to an emphasis on reproducible shapes, clarity, and a distinctive, engineered personality.
Capitals appear broad and structurally simple, with strong horizontals and vertically emphasized stems. Lowercase forms remain highly geometric, with squared bowls and short, firm joins; the overall effect is compact and punchy in text. Numerals follow the same rounded-square logic, staying highly legible and uniform in color.