Sans Superellipse Esred 4 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'NT Gagarin' by Novo Typo, 'Navine' by OneSevenPointFive, 'Gemsbuck Pro' by Studio Fat Cat, 'From the Internet' by Typodermic, and 'Sharplion' by Zeki Michael (names referenced only for comparison).
Keywords: headlines, posters, branding, sports identity, app headers, sporty, techy, dynamic, confident, industrial, impact, speed, modernization, compactness, geometric consistency, rounded corners, squared bowls, condensed feel, slanted terminals, compact counters.
A heavy, forward-slanted sans with rounded-rectangle construction and squared bowls. Strokes stay largely uniform, with softened corners and flat, cut terminals that reinforce a machined, geometric feel. Proportions are compact and slightly condensed, with tight internal counters and sturdy joins; the rhythm is brisk and dense, holding together well in all-caps as well as mixed-case settings. Figures follow the same superelliptical logic, reading as solid blocks with clear silhouettes.
This font is well suited to headlines, posters, and prominent UI or product headers where a compact, energetic voice is needed. It can also support branding systems—especially for sports, automotive, or tech—where bold, slanted geometry helps create a sense of motion and strength.
The overall tone is fast and purposeful, combining a sporty, performance-oriented slant with a clean, modern technical edge. Its compact shapes and firm weight convey confidence and impact, leaning more toward contemporary industrial styling than casual friendliness.
The design appears intended to deliver maximum impact through dense, rounded-rect geometry and a consistent forward slant, creating a streamlined display sans that feels engineered and contemporary. It prioritizes strong silhouettes and tight rhythm for attention-grabbing, modern typographic statements.
Roundness is expressed more as softened corners than fully circular curves, giving letters a squared-off modernity. The italic angle is consistent and the spacing appears tuned for strong headline presence, with word shapes that stay cohesive at larger sizes.