Sans Superellipse Esred 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Bronkoh' by Brink, 'Flexo' and 'Flexo Soft' by Durotype, 'Obvia' by Typefolio, and 'JP Alva' by jpFonts (names referenced only for comparison).
Keywords: headlines, branding, sportswear, interfaces, posters, technical, sporty, modern, dynamic, futuristic, contemporary voice, speed emphasis, geometric system, brand impact, squared-round, rounded corners, compact, slanted, geometric.
A slanted geometric sans built from squared-round, superellipse-like bowls and rounded-rectangle counters. Strokes are even and monolinear, with crisp terminals and consistently softened corners that keep the forms smooth rather than sharp. Capitals are wide and steady with compact curves (notably in C, G, O, Q), while lowercase forms stay clean and upright in construction despite the overall rightward slant; dots and punctuation are squared and minimal. Numerals follow the same rounded-rect geometry, producing a cohesive, engineered rhythm across letters and figures.
This font suits headlines, logos, and short bursts of copy where a modern, kinetic feel is desired. It works well for sports and performance branding, tech-forward packaging, UI accents, and poster typography that benefits from compact, high-contrast silhouettes without relying on delicate details.
The overall tone feels technical and forward-leaning, with a sporty, utilitarian energy. Its rounded-square geometry reads as contemporary and digital, suggesting precision and speed rather than warmth or tradition.
The design appears intended to blend italic momentum with a rounded-rect, engineered geometry—creating a streamlined sans that feels fast, contemporary, and distinctly constructed. The consistent corner rounding and monolinear structure emphasize clarity and a cohesive system across uppercase, lowercase, and numerals.
Round letters lean toward squarish proportions, giving text a slightly condensed, modular texture. The slant is consistent and pronounced enough to add motion in headlines, while the uniform stroke and simplified joins keep the silhouette tidy at a distance.