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Free for Commercial Use

Distressed Romam 12 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'News Gothic BT' by Bitstream, 'Fuller Sans DT' by DTP Types, 'Trade Gothic Next' and 'Trade Gothic Next Soft Rounded' by Linotype, 'News Gothic' by ParaType, and 'PG Gothique' by Paulo Goode (names referenced only for comparison).

Keywords: posters, headlines, packaging, labels, signage, industrial, gritty, stenciled, utilitarian, tough, rugged impact, stencil marking, aged print, graphic texture, cut-out, weathered, ink-worn, mechanical, blocky.


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A heavy, block-based serif design with broad proportions and simplified, sturdy construction. Many glyphs feature deliberate stencil-like interruptions and vertical slits, especially in rounded forms, creating a cut-out rhythm through counters and bowls. Edges show consistent distressing—chips, scuffs, and worn patches—suggesting imperfect printing or abrasion while keeping overall letterforms firmly legible. The lowercase follows the same robust logic, with compact joins and substantial terminals; figures are similarly built with strong mass and repeated internal breaks.

Best suited to display contexts where the distressed stencil character can be appreciated—posters, title treatments, branding accents, packaging, and label or signage-style graphics. It can work for short blocks of text in larger sizes when a gritty, industrial voice is desired, but the interior breaks and texture will dominate at smaller sizes.

The font conveys a rugged, industrial tone—practical and no-nonsense, with an intentionally weathered surface. The stencil breaks add an institutional, equipment-marking feel, while the distressing introduces grit and age, as if stamped, painted, or printed under rough conditions.

The design appears intended to combine a traditional, sturdy serif skeleton with stencil-like construction and built-in wear, producing lettering that feels stamped, painted, or field-marked. The goal is to deliver immediate impact and a rugged atmosphere while retaining clear, straightforward forms.

Texture appears embedded into the shapes rather than applied as an external effect, so the distressed character remains consistent across the set. The strong vertical cuts in O/C/G/Q and several numerals create a distinctive signature that reads clearly at display sizes and becomes more textural as sizes decrease.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸