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Free for Commercial Use

Sans Superellipse Otdag 12 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Military Jr34' by Casloop Studio, 'B52' by Komet & Flicker, 'Navine' and 'Revx Neue' by OneSevenPointFive, and 'Beachwood' by Swell Type (names referenced only for comparison).

Keywords: headlines, posters, branding, ui labels, signage, tech, industrial, confident, modern, utilitarian, geometric clarity, modern utility, strong presence, systematic design, squared-off, rounded corners, compact, geometric, sturdy.


Free for commercial use
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A heavy, geometric sans with squared silhouettes softened by rounded corners and superelliptic curves. Strokes are monolinear and dense, with compact apertures and generous interior counters to keep forms open at display sizes. Curves resolve into flattened terminals rather than true circles, giving letters like C, G, O, and S a boxy-round rhythm. The uppercase is broad and stable with straight-sided verticals, while the lowercase follows a simple, engineered construction with short, consistent joins and minimal modulation.

This font suits headlines and short blocks where strong shapes and high presence are desirable, such as tech branding, product naming, packaging, and poster work. It also fits interface labels and wayfinding-style applications where a compact, sturdy rhythm reads cleanly at medium sizes.

The overall tone is functional and contemporary, with a slightly industrial, tech-forward character. Its rounded-rectangle geometry feels robust and controlled, projecting clarity and confidence rather than softness or calligraphy.

The design appears intended to deliver a modern, engineered voice using superellipse-based construction—combining the efficiency of geometric forms with softened corners for a controlled, contemporary look.

The numerals and capitals share the same squared-round logic, producing a cohesive, sign-like texture in lines of text. Tight-looking apertures and flattened curves create a distinctive “machined” feel, especially noticeable in E/F/T crossbars and the squarish bowls of D/O/P.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸