Sans Superellipse Otdag 12 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Military Jr34' by Casloop Studio, 'B52' by Komet & Flicker, 'Navine' and 'Revx Neue' by OneSevenPointFive, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, branding, ui labels, signage, tech, industrial, confident, modern, utilitarian, geometric clarity, modern utility, strong presence, systematic design, squared-off, rounded corners, compact, geometric, sturdy.
A heavy, geometric sans with squared silhouettes softened by rounded corners and superelliptic curves. Strokes are monolinear and dense, with compact apertures and generous interior counters to keep forms open at display sizes. Curves resolve into flattened terminals rather than true circles, giving letters like C, G, O, and S a boxy-round rhythm. The uppercase is broad and stable with straight-sided verticals, while the lowercase follows a simple, engineered construction with short, consistent joins and minimal modulation.
This font suits headlines and short blocks where strong shapes and high presence are desirable, such as tech branding, product naming, packaging, and poster work. It also fits interface labels and wayfinding-style applications where a compact, sturdy rhythm reads cleanly at medium sizes.
The overall tone is functional and contemporary, with a slightly industrial, tech-forward character. Its rounded-rectangle geometry feels robust and controlled, projecting clarity and confidence rather than softness or calligraphy.
The design appears intended to deliver a modern, engineered voice using superellipse-based construction—combining the efficiency of geometric forms with softened corners for a controlled, contemporary look.
The numerals and capitals share the same squared-round logic, producing a cohesive, sign-like texture in lines of text. Tight-looking apertures and flattened curves create a distinctive “machined” feel, especially noticeable in E/F/T crossbars and the squarish bowls of D/O/P.