Sans Superellipse Folev 1 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Mazot' by Hurufatfont, 'Karnchang' by Jipatype, 'Hype vol 2' by Positype, and 'Core Sans E' by S-Core (names referenced only for comparison).
Keywords: headlines, sports branding, posters, logos, packaging, sporty, futuristic, technical, energetic, confident, speed emphasis, modern branding, technical clarity, display impact, oblique, rounded corners, squared curves, compact apertures, sheared terminals.
A slanted sans with sturdy, compact letterforms built from rounded-rectangle curves and clipped, squared-off details. Strokes are even and substantial, with tight apertures and a generally condensed, forward-leaning rhythm. Curved characters (O/C/G/Q) read as superelliptical rather than purely circular, while joins and terminals often resolve into chamfer-like cuts that reinforce a streamlined, engineered feel. Figures are wide and stable with similarly rounded-corner geometry, keeping texture consistent across lines of text.
This font is well suited to headlines and short, prominent text where its compact shapes and strong slant can convey speed and attitude. It also fits sports and automotive-style branding, poster typography, and packaging that benefits from a crisp, technical edge. At smaller sizes, its tight apertures and dense texture suggest reserving it for display and UI accents rather than long reading.
The overall tone is fast, modern, and performance-oriented, suggesting motion and efficiency. Its squared curves and assertive slant give it a sporty, tech-adjacent voice that feels at home in contemporary interfaces and dynamic branding.
The design appears intended to merge geometric clarity with a streamlined, high-performance aesthetic. By combining rounded-rectangle bowls with clipped terminals and an assertive slant, it aims to deliver a modern, energetic voice while keeping letterforms mechanically consistent and visually unified.
The design maintains a uniform, high-impact color on the page, with minimal stroke modulation and consistent corner treatment. The italic construction appears as a true oblique system: many forms feel purpose-built for the slant rather than simply skewed, creating a cohesive forward momentum in the sample text.