Sans Faceted Ufka 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Evanston Tavern', 'Hawkes', and 'Refinery' by Kimmy Design; 'Camore' by Maulana Creative; and 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: sports branding, posters, headlines, logos, signage, athletic, industrial, retro, assertive, utilitarian, high impact, machined look, sports tone, signage clarity, geometric consistency, octagonal, beveled, blocky, compact, stencil-like.
A heavy, block-based sans with crisp chamfered corners that replace curves with faceted, near-octagonal geometry. Strokes are consistently thick with squared terminals and tight interior counters, giving letters a dense, compact color. The lowercase follows the same constructed logic, with sturdy verticals and minimal modulation; bowls and joins are simplified into straight segments and short diagonals. Numerals and capitals share the same angular treatment, producing a uniform, hard-edged texture that stays clear at display sizes.
Best suited for headlines, logos, and short bursts of text where impact and quick recognition matter. It works well for sports branding, team or event graphics, packaging marks, and signage-style applications that benefit from rugged, angular letterforms. For longer reading, it will be most effective when set with generous tracking and ample line spacing.
The overall tone is bold and no-nonsense, with an athletic, equipment-label feel and a slightly retro, varsity-adjacent edge. Its faceted construction reads mechanical and engineered, projecting strength, durability, and directness rather than softness or refinement.
The design appears intended to deliver maximum presence through simplified, faceted forms that mimic cut or machined lettering. By standardizing chamfers and reducing curves, it aims for a cohesive, high-impact look that reproduces cleanly in bold display contexts.
The chamfering is systematic across the set, creating a recognizable silhouette even in shorter words. Counters tend to be small and geometric, and diagonals are used sparingly but decisively to keep forms stable and compact.