Sans Superellipse Utmot 6 is a bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, branding, ui labels, posters, packaging, tech, futuristic, clean, confident, industrial, modernize, signal tech, maximize clarity, create identity, rounded corners, squared rounds, geometric, streamlined, high contrast (shape).
A geometric sans with a squared-round (superelliptic) construction: curves resolve into rounded rectangles, corners are consistently softened, and terminals are clean and flat. Strokes are uniform and sturdy, with broad counters and generous apertures that keep forms open despite the heavy build. Proportions feel horizontally extended, and the rhythm is steady and mechanical, with smooth, continuous curves on bowls and a strong, rectilinear backbone on stems and arms. Numerals follow the same rounded-rect logic, producing a cohesive, engineered look across letters and figures.
Best suited to headlines, titles, and short blocks of text where its broad, rounded-square forms can read as intentional and distinctive. It works well for tech branding, product interfaces, wayfinding-style labels, and packaging that benefits from a clean, engineered aesthetic. For dense text, it’s likely strongest at larger sizes where the geometric details and open counters remain prominent.
The overall tone reads modern and technical, with a slightly sci‑fi, display-forward personality. Its rounded-square geometry feels precise and engineered rather than friendly, projecting a confident, utilitarian voice suited to contemporary digital and product contexts.
Likely designed to merge the neutrality of a sans with a distinctive rounded-rect geometry that signals modernity and technology. The consistent corner treatment and uniform stroke logic suggest an intention to deliver a robust, highly legible display voice with a recognizable silhouette.
The design emphasizes consistency of curvature and corner radius across glyphs, creating a cohesive “module” feel. The lowercase maintains clear silhouettes with simplified joins, and the overall spacing and glyph width contribute to an assertive, sign-like presence.