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Serif Contrasted Syba 1 is a very bold, wide, very high contrast, italic, normal x-height font visually similar to 'Berthold Bodoni' by Berthold, 'Bodoni No. 1 SB' and 'Bodoni No. 1 SH' by Scangraphic Digital Type Collection, and 'Bodoni Antiqua' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, editorial, posters, branding, packaging, dramatic, luxurious, theatrical, assertive, display impact, luxury tone, italic elegance, editorial flair, didone-like, vertical stress, ball terminals, hairline serifs, swashy.


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A bold, right-leaning serif with a distinctly high-contrast construction: thick main strokes paired with needle-thin hairlines and crisp, unbracketed serifs. The forms show strong vertical stress, with rounded bowls that taper into fine joins and frequent ball terminals in the lowercase. Proportions are expansive and display-oriented, with generous curves, tight internal counters in places, and a lively, uneven rhythm typical of italic letterforms. Numerals follow the same contrast and slanted stance, with sharp entry/exit strokes and elegant, cutting hairlines.

Best suited to large sizes where the hairlines and tapered joins can stay crisp: magazine headlines, fashion and culture editorial, posters, campaign lockups, and premium branding or packaging. It can work for short bursts of text (pull quotes, subheads) when ample size and careful contrast-friendly production are available.

The overall tone is confident and theatrical, combining classic fashion-magazine refinement with a punchy, attention-grabbing weight. Its glossy contrast and italic momentum give it a sense of motion and glamour, while the sharp details and tapered strokes keep it feeling formal and high-end.

The design appears intended to deliver a modern, fashion-forward take on a classic high-contrast italic, prioritizing impact and elegance over neutrality. It aims to create a strong typographic voice through exaggerated thick–thin modulation, sharp serif finishing, and expressive italic movement.

In text, the extreme contrast and thin hairlines create sparkling highlights, especially around curves and at serif tips; spacing reads intentionally airy for a display italic, helping the dense black shapes breathe. The ball terminals and occasional swash-like details add a slightly playful, decorative edge without shifting into script.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸