Sans Other Ufdim 2 is a light, normal width, low contrast, upright, normal x-height font.
Keywords: ui, wayfinding, product labeling, headlines, posters, modern, technical, minimal, clean, neutral, clarity, modern branding, technical tone, minimalism, monoline, geometric, rounded corners, open apertures, tall proportions.
A monoline sans with tall, lightly built forms and a clean, engineered construction. Strokes maintain consistent thickness and terminate in squared ends with softly rounded corners, giving the outlines a precise yet approachable feel. Curves are smooth and near-geometric, with generous counters and relatively open apertures (notably in C, S, and e), supporting clarity at text sizes. Several glyphs show slightly unconventional structure—such as the angled-join k, the simplified, straight-shouldered n/m, and a single-storey a—creating a distinctive rhythm without sacrificing overall uniformity. Numerals follow the same straightforward, linear logic, with simple bowls and clean joints.
Well-suited to interface typography, dashboards, and product or device labeling where a crisp, uncluttered sans is preferred. Its tall, clean shapes can also work effectively for short headlines and contemporary posters, especially in minimalist layouts where the distinctive constructions can be a feature.
The overall tone is contemporary and utilitarian, suggesting a tech-forward, schematic sensibility. Its restrained detailing and consistent stroke behavior read as calm and systematic, while the subtly idiosyncratic letterforms add a mild futuristic character.
Likely designed to deliver a clear, modern sans with an engineered look, balancing readability with a slightly atypical, futuristic construction. The consistent monoline strokes and simplified joins suggest an emphasis on clarity, neutrality, and contemporary branding versatility.
The spacing and proportions create a slightly airy texture, and the tall ascenders/descenders in the sample help the type feel vertically elegant. Curved letters tend toward rounded rectangles rather than humanist modulation, reinforcing the constructed, modern flavor.