Sans Faceted Omma 4 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, titles, angular, art deco, geometric, futuristic, playful, stylization, display impact, geometric consistency, distinctiveness, faceted, chiseled, diamond counters, crisp terminals, high contrast in angles.
This typeface builds its forms from crisp straight segments and clipped corners, replacing most curves with planar facets. Strokes are consistently weighted, with pointed joins and beveled terminals that create a chiseled rhythm across the alphabet. Rounds like O, C, and G become polygonal, often with diamond-like counters, while diagonals in letters such as A, K, V, W, and Y stay sharp and clean. The overall spacing and proportions read open and legible, with distinctive, slightly ornamental construction that remains structurally consistent from caps to lowercase and numerals.
Best suited for headlines, titles, and short passages where the angular facets can be appreciated at size. It works well for branding marks, packaging, event posters, and signage that aims for a geometric, stylized tone. For long-form text, it will read more as a distinctive display voice than a neutral workhorse.
The faceted geometry gives the font a sleek, styled energy that feels both retro and forward-leaning. Its sharp corners and gem-like counters add a playful edge, suggesting signage, display lettering, and graphic identity work with a crafted, designed look rather than a purely utilitarian voice.
The design intention appears to be a clean, sans-based structure reinterpreted through faceted, beveled geometry—delivering a contemporary display feel with strong stylistic cohesion. The repeated use of clipped corners and diamond-like apertures suggests a focus on memorable shapes and a decorative, architectural rhythm.
Caps appear more emblematic and architectural, while the lowercase keeps the same angular logic, producing a cohesive texture in running lines. Numerals follow the same polygonal approach, helping mixed text keep a unified, cut-from-planes aesthetic.