Sans Superellipse Hikok 13 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Erliga' by Haniefart (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, packaging, techno, futuristic, industrial, game-like, friendly, modernize, add softness, signal tech, stand out, rounded corners, squared bowls, compact, soft terminals, geometric.
A geometric sans built from rounded-rectangle forms, with consistently softened corners and largely uniform stroke thickness. Curves tend to resolve into squarish bowls and superellipse-like counters, giving letters a compact, engineered feel rather than a calligraphic one. Open shapes such as C and S keep broad apertures and straightened arcs, while verticals are firm and the joins are clean and mechanical. Lowercase forms are simple and sturdy, with single-storey a and g and a straight, minimal t; punctuation-like details (dots, small counters) read as squared or rectangular cutouts. Numerals follow the same rounded-box construction, staying blocky and stable at display sizes.
This style performs best in headlines, posters, and identity work where its rounded-rect geometry can be a recognizable signature. It also suits product branding and packaging that want a contemporary, tech-forward voice, and UI/labeling contexts when used at generous sizes for clarity.
The overall tone is modern and synthetic, with a sci‑fi/arcade flavor that still feels approachable thanks to the rounded corners. It projects efficiency and robustness—more machine-made than humanist—while maintaining a playful, softened edge.
The design appears intended to merge a geometric, modular construction with softened corners, creating a durable display voice that reads as contemporary and technology-oriented without becoming sharp or aggressive.
Counters and interior cutouts are notably rectilinear, which strengthens the modular, systemized rhythm across caps, lowercase, and figures. The face maintains strong silhouette clarity in short words and headings, where the squared curves and rounded terminals become a defining motif.