Sans Superellipse Ombey 6 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Antiquel' by Lemonthe, 'Hardley Brush' by Negara Studio, 'PF Eef' by Parachute, 'Karben 205' by Talbot Type, and 'Breuer Condensed' by TypeTrust (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, labels, industrial, confident, modern, compact, no-nonsense, space saving, visual impact, geometric discipline, system lettering, condensed, squared-round, high contrast ink, tight apertures, dense color.
A compact, condensed sans with heavy, even strokes and rounded-rectangle (superelliptic) curves that keep counters smooth and controlled. The geometry reads as squared-off rounds rather than pure circles, giving letters like O/C/G a firm, machined feel. Terminals are clean and blunt, curves transition quickly into straight stems, and spacing appears tight, producing a dense, dark typographic color. Lowercase forms are straightforward and workmanlike, with simple single-storey shapes and sturdy, squared bowls; numerals are tall and emphatic with similarly squared-round construction.
Best suited to headlines, posters, and other short-form display settings where a compact footprint and strong presence are desirable. It can also work well for packaging, labels, and signage systems that need bold, space-efficient typography with a consistent geometric rhythm.
The overall tone is utilitarian and assertive—built for impact rather than delicacy. Its condensed heft suggests efficiency and decisiveness, with a contemporary, industrial edge that feels at home in bold, practical communication.
The design intent appears focused on delivering a condensed, high-impact sans with superelliptic rounding—balancing strict geometry with softened corners for a modern, engineered look. It prioritizes visual density and clarity of silhouette for attention-grabbing text in limited space.
Round characters maintain consistent squareness in their curvature, which helps the design stay cohesive across caps, lowercase, and figures. The narrow proportions and tight apertures increase presence at display sizes, while the dense weight can reduce internal openness in smaller settings.