Sans Superellipse Ombaj 7 is a regular weight, normal width, monoline, upright, tall x-height font visually similar to 'Metsys' by Alias Collection, 'Gibstone' by Eko Bimantara, 'Helsinki' by Ludwig Type, 'PJCT' by Prototype Fonts, 'Nulato' by Stefan Stoychev, 'Aksioma' by Zafara Studios, and 'Althawra Fikra' by syria arabic (names referenced only for comparison).
Keywords: ui text, app interfaces, signage, headlines, branding, modern, neutral, friendly, utilitarian, clarity, versatility, system design, readability, rounded, geometric, clean, crisp, sturdy.
This typeface is a clean sans with a geometric, superelliptical construction: round characters lean toward rounded-rectangle bowls and apertures rather than perfect circles. Strokes are even and linear, with flat terminals and consistently rounded corners that soften the overall texture without feeling playful. Proportions favor a large x-height and compact ascenders/descenders, creating a dense, efficient rhythm in text. Counters are open and legible, and the numerals share the same sturdy, rounded-rect geometry, reading clearly at display and UI-like sizes.
It suits interface typography and product design where clarity and a calm, contemporary voice are needed. The large x-height and open forms support small-to-medium text, while the clean geometry also holds up well in headings, wayfinding, and straightforward brand systems.
The overall tone is modern and approachable, balancing a rational, engineered structure with gentle rounding. It feels practical and contemporary, with a friendly edge that keeps it from becoming overly clinical.
The design appears intended as a versatile, everyday sans that emphasizes clarity and consistency through rounded-rect forms and even stroke construction. Its restrained detailing suggests a focus on dependable readability and a modern, system-friendly aesthetic.
The uppercase set appears straightforward and architectural, while the lowercase maintains a simple, functional feel with minimal modulation and restrained detailing. The rounded geometry is especially evident in characters with bowls and curves, giving the face a consistent, cohesive silhouette across letters and figures.