Sans Superellipse Idgaz 9 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Gusto Black' by BA Graphics, 'Ciutadella Display' by Emtype Foundry, 'Knockout' by Hoefler & Co., 'Malmo Sans Pro' by Martin Lexelius Core, 'Palestina' by Tipo, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, playful, punchy, friendly, retro, sporty, maximum impact, friendly boldness, retro display, geometric clarity, soft corners, blocky, compact, high impact, geometric.
A heavy, compact sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and fairly uniform, with squarish bowls and counters that read as cut-outs inside robust outer shapes. The face keeps a stable, upright posture and a tall lowercase presence, with short ascenders and descenders that create dense, poster-like texture in paragraphs. Terminals are blunt and squared-off rather than tapered, and many forms lean on superellipse-like curves for a sturdy, engineered look.
Best suited for short, high-impact settings like headlines, posters, and bold brand marks where its chunky shapes can carry personality. It can also work for packaging and signage that benefits from sturdy, approachable letterforms, especially at medium to large sizes where the inner counters stay clear.
The overall tone is bold and approachable, mixing a sporty, headline energy with a friendly softness from the rounded corners. Its dense rhythm and chunky silhouettes give it a retro display flavor that feels confident and attention-grabbing without becoming sharp or aggressive.
The design intent appears to be a display-forward sans that maximizes impact through heavy strokes and compact proportions, while maintaining friendliness via rounded corners and superellipse-based geometry. It aims for strong silhouette recognition and a cohesive, blocky rhythm across letters and figures.
Round letters such as O, C, and G appear more squared than circular, reinforcing the rounded-rectangle theme. Dots (e.g., i/j) are solid and simple, and the numerals are wide and weighty, matching the strong, block-built character of the alphabet.