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Free for Commercial Use

Sans Superellipse Gagam 12 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Elisar DT' by DTP Types, 'Famiar' by Mans Greback, 'Acto' by Monotype, and 'Bitner' and 'NuOrder' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, punchy, energetic, confident, playful, high impact, friendly strength, motion, modern display, attention grabbing, rounded, soft corners, bulky, compact, forward-leaning.


Free for commercial use
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This typeface is a heavy, forward-slanted sans with rounded, superelliptical construction throughout. Strokes are thick and largely uniform, with soft corners and broad curves that keep counters open despite the weight. Proportions lean wide and sturdy in the capitals, while the lowercase shows more width variation and bouncy rhythm, especially in letters with bowls and tails. Numerals follow the same chunky, rounded logic with clear, simple silhouettes and minimal internal detail.

It performs best in short, bold applications such as headlines, posters, campaign messaging, and prominent brand lockups where impact is the priority. The rounded heft also suits packaging and labels that need a friendly but commanding presence, as well as sporty or energetic visual systems. For extended small text, the density suggests using it sparingly or at larger sizes.

The overall tone is assertive and high-impact, with a friendly softness from the rounded shapes. The slant and dense weight create a sense of motion and urgency, reading as sporty and promotional rather than formal. It feels upbeat and contemporary, suited to bold statements and attention-grabbing messaging.

The design appears intended to deliver maximum visual punch while staying approachable, combining a strong italic stance with rounded, modern geometry. Its emphasis on uniform thickness, open counters, and softened corners suggests a focus on clarity and personality in display settings.

Spacing appears generous enough to prevent the heavy forms from clogging, helping the italic angle remain legible at larger display sizes. Rounded terminals and softened joins reduce harshness and give the design a cohesive, cushioned texture across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸