Sans Faceted Tyku 3 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Erliga' by Haniefart, 'Sicret' by Mans Greback, 'Stallman' and 'Stallman Round' by Par Défaut, 'Getafe' by Trequartista Studio, 'Yoshida Sans' by TypeUnion, and 'Hurdle' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, retro, technical, game-like, assertive, impact, geometric, machined, signage, branding, octagonal, angular, chamfered, compact, blocky.
A compact, angular sans with heavy, even strokes and a consistently faceted construction. Curves are largely replaced by straight segments and clipped corners, giving most bowls and terminals an octagonal, chamfered feel. Counters are relatively small and squared-off, with open, geometric apertures and a sturdy baseline presence; the lowercase keeps a straightforward, utilitarian skeleton with minimal modulation and simple join behavior.
This font performs best in short, high-contrast settings such as headlines, posters, wordmarks, product labels, and bold UI titling. It also suits sports or team-style identifiers, industrial-themed packaging, and entertainment graphics where an angular, constructed voice is desired. For long-form text, its dense texture and small counters suggest using larger sizes and ample spacing.
The overall tone is hard-edged and mechanical, combining a retro display energy with a no-nonsense, engineered attitude. Its faceted geometry reads as tough and utilitarian, suggesting signage, equipment labeling, and game or sci‑fi interface aesthetics rather than soft editorial warmth.
The design appears intended to translate a squared, mechanical construction into a bold, readable display style by replacing curves with planar facets and maintaining uniform stroke weight. The consistent chamfering and compact proportions prioritize impact and a strong geometric signature across both cases and numerals.
The faceting is applied systematically across letters and numerals, creating a strong rhythm of clipped corners and straight-sided bowls. Round characters like O/Q and 0/8 retain internal angles that reinforce the constructed look, while diagonals (e.g., V, W, X, Y) feel rigid and symmetrical. The texture is dense and high-impact, best suited to sizes where the smaller counters stay clear.