Sans Superellipse Ogdap 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Korolev' by Device, 'Chubbét' by Emboss, 'Posting Sans' by K-Type, 'Neue Helvetica Paneuropean' by Linotype, 'Otoiwo Grotesk' by Pepper Type, 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, friendly, modern, playful, sturdy, impact, approachability, clarity, modernity, rounded, soft-cornered, compact, monoline, high-impact.
A heavy, monoline sans with rounded-rectangle construction and soft corners throughout. Curves and counters tend toward superelliptical shapes, giving letters a blocky, cushion-like silhouette rather than a purely geometric circle. Terminals are blunt and smoothly radiused, joins are clean, and the overall texture is dense with relatively small apertures in several letters at display sizes. Proportions are compact and sturdy, with a consistent stroke weight and clear, simplified detailing that favors legibility in large, bold settings.
Well suited to headlines, logotypes, packaging, and signage where a bold, friendly voice is needed. It also works for UI callouts, badges, and social graphics that benefit from high impact and rounded, approachable forms.
The font projects a confident, upbeat tone: chunky and approachable rather than aggressive. Its rounded geometry adds friendliness and a touch of retro sign-painting energy, while the strong weight keeps it emphatic and attention-grabbing.
The design appears intended to deliver maximum presence with softened geometry—combining a strong, compact word shape with rounded corners to keep the tone warm and contemporary. It prioritizes clear silhouettes and consistent rhythm for attention-focused display typography.
The numerals match the same rounded, blocky logic as the letters, with simplified shapes that read clearly at a glance. In longer lines, the dense color and tight internal spaces create a poster-like presence best suited to short bursts of text rather than extended reading.