Sans Superellipse Ogdap 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gibstone' by Eko Bimantara, 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'Fester' by Fontfabric, 'Otoiwo Grotesk' by Pepper Type, and 'Hype vol 3' by Positype (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, bold, friendly, industrial, confident, compact, impact, approachability, modern utility, headline strength, rounded corners, soft geometry, blocky, large counters, high impact.
A heavy, compact sans with rounded-rectangle construction and softened corners throughout. Strokes stay consistently thick with minimal modulation, producing a dense, poster-ready color. Curves are built from squarish bowls and superellipse-like rounds, while joints and terminals read blunt and sturdy rather than sharp. Uppercase forms feel tightly engineered and slightly condensed in impression, with generous internal counters for clarity at large sizes; lowercase follows a similarly robust, simplified structure.
Best suited for headlines, posters, and branding where a dense, high-impact sans is needed. It also fits packaging and signage thanks to its sturdy shapes and clear counters, and works well for short UI or display labels when a friendly but assertive tone is desired.
The overall tone is confident and approachable: strong enough for assertive headlines, but softened by rounded corners that keep it friendly rather than aggressive. Its blocky geometry suggests modern utility and an industrial straightforwardness, making messages feel bold, uncomplicated, and direct.
The design appears intended to deliver maximum impact with a simplified geometric voice: broad strokes, rounded-rectangle forms, and compact spacing that hold together in large-scale applications. The softened corners aim to balance strength with approachability, keeping the style contemporary and versatile for display use.
The font’s squarish rounds (notably in O/0 and bowls like B/P/R) give it a distinctive “rounded-square” rhythm compared with more purely circular grotesks. Numerals match the uppercase weight and footprint, reinforcing a consistent, sign-like presence in mixed settings.