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Free for Commercial Use

Sans Superellipse Ogmaf 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Manufaktur' by Great Scott (names referenced only for comparison).

Keywords: headlines, logos, posters, game ui, tech branding, futuristic, tech, gaming, industrial, robotic, sci‑fi display, interface clarity, modular branding, logo impact, rounded, square-ish, modular, geometric, blocky.


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A geometric, rounded-rectangle sans with monoline strokes and a squared, superelliptical construction. Corners are consistently softened, counters tend toward rectangular shapes, and curves often resolve into flat terminals rather than continuous bowls. Proportions are compact with wide, steady strokes and generous internal spacing that keeps the forms open. Several glyphs show intentional stencil-like breaks or inset notches, reinforcing a modular, engineered rhythm across the alphabet and numerals.

Best suited to display settings such as headlines, posters, logos, and branding where its geometric personality can carry the message. It also works well for game UI, sci‑fi themed graphics, and product/interface labeling thanks to its sturdy strokes and clear, modular silhouettes. For longer text, it will read most comfortably at medium-to-large sizes where the distinctive cut-ins and squared bowls remain clear.

The overall tone is futuristic and device-like, evoking sci‑fi interfaces, industrial labeling, and arcade-era display typography. Its crisp geometry and deliberate cut-ins feel technical and controlled rather than casual or humanist, giving it a confident, synthetic voice.

The font appears designed to deliver a cohesive, futuristic geometric aesthetic built from rounded rectangles, balancing strong presence with clean internal spacing. Its consistent stroke and repeated corner logic suggest an intention toward system-like clarity for contemporary tech and entertainment applications.

The design relies on repeated motifs—rounded corners, squared counters, and occasional internal apertures—creating strong stylistic cohesion. Diagonals are used sparingly and tend to be stabilized with softened joints, while distinctive shapes in letters like G, S, and the diagonals (V/W/X) emphasize a constructed, logo-friendly character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸