Sans Other Tejo 10 is a regular weight, very narrow, monoline, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Singo Sans' by Ferry Ardana Putra, 'Neue Helvetica' by Linotype, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, branding, industrial, utilitarian, retro, mechanical, authoritative, space saving, impact, machine marking, graphic texture, display clarity, stenciled, chamfered, condensed, angular, high-contrast joints.
A condensed, vertical sans with monoline strokes and sharply chamfered corners that create an octagonal, cut-metal feel. Many curves are faceted into straight segments, and several joins show small breaks or notches that read as stencil-like interruptions rather than smooth continuous bowls. The overall silhouette is tall and rigid, with compact counters and a consistent, engineered rhythm across capitals, lowercase, and numerals. Numerals follow the same angular construction, with tight apertures and pointed terminals that reinforce a technical, fabricated look.
Best suited for display applications where a compact, high-impact voice is needed—posters, headlines, labels, and signage that benefit from an industrial or stencil-marking aesthetic. It can work well in short bursts for branding or packaging accents, particularly when set with generous tracking to let the angular detailing read clearly.
The font conveys a pragmatic, no-nonsense tone with a strong industrial and mechanical character. Its clipped corners and stencil cues suggest equipment marking, workshop signage, and mid-century utilitarian graphics rather than a friendly or conversational voice.
The design appears intended to emulate fabricated lettering—like stamped, cut, or stenciled forms—while staying within a clean sans framework. Its condensed proportions and repeated chamfers prioritize vertical emphasis, space efficiency, and a distinctive technical texture in larger sizes.
Capitals are especially narrow and uniform in stance, while the lowercase keeps the same angular logic with simplified forms and tight spacing tendencies. The repeated chamfers and occasional internal splits add texture at display sizes, but they also introduce visual noise that makes the design feel purpose-built and assertive.