Sans Normal Lagid 11 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Myriad' by Adobe, 'Maxima EF' by Elsner+Flake, 'FS Elliot' and 'FS Elliot Paneuropean' by Fontsmith, 'Neue Frutiger Hebrew' by Linotype, 'Recht' by Mint Type, and 'Avus Pro' by RMU (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, modern, energetic, punchy, impact, momentum, clarity, modernity, oblique, geometric, rounded, heavy, compact.
A very heavy oblique sans with broad, rounded geometry and clean, uninterrupted stroke endings. Curves are built from smooth circular/elliptical forms, giving letters like C, O, and G a strong, even rhythm, while counters remain open enough to keep the weight from clogging. Uppercase shapes are sturdy and compact, with a slightly squared, engineered feel in letters like E, F, and T, balanced by generous bowls in B, P, and R. Lowercase forms are similarly robust, with a single-storey a and g, a short, square-like i dot, and simplified terminals that keep the texture consistent across text. Numerals are wide, bold, and highly uniform, matching the rounded, geometric construction of the alphabet.
Well-suited for headlines, display typography, and short-to-medium marketing copy where strong emphasis is needed. It fits branding systems that want a modern, athletic or tech-adjacent tone, and works effectively on packaging or signage where bold, slanted forms help text stand out at a glance.
The overall tone is confident and forward-leaning, with an athletic, poster-ready energy. Its heavy weight and consistent curves create a strong, contemporary voice that reads as direct, upbeat, and attention-seeking without feeling decorative.
The design appears intended to deliver maximum visual impact through a heavy, oblique stance and geometric roundness, prioritizing immediacy and a cohesive, energetic typographic color. Its simplified terminals and uniform construction suggest a focus on clarity and consistency in large sizes and prominent placements.
Spacing appears tuned for impact: the dense weight and oblique slant produce a tight, fast-moving line in longer text, especially in all-caps. The slant is consistent across uppercase, lowercase, and figures, reinforcing a cohesive, motion-oriented texture.