Sans Superellipse Lizi 2 is a bold, wide, monoline, upright, normal x-height font.
Keywords: ui labels, app branding, headlines, posters, gaming, futuristic, tech, modular, playful, clean, modernity, systematic design, friendly tech, display clarity, rounded corners, soft terminals, squared rounds, geometric, high contrast-free.
A rounded, geometric sans with a squared-off construction: bowls, counters, and curves are built from softened rectangles and superellipse-like forms. Strokes keep a consistent thickness throughout, with generous rounding at corners and terminals that produces a smooth, continuous rhythm. Proportions read open and spacious, with large internal counters and a slightly extended, horizontal feel; curves are more “boxy” than circular, giving the design a crisp, engineered silhouette. Numerals and letters share the same modular logic, with simplified joints and controlled apertures for an even, graphic texture in text.
Well suited to interface headings, navigation labels, and product surfaces where clarity and a modern, engineered voice are needed. It also works effectively for short headlines, posters, and gaming or tech branding where the rounded-rect geometry becomes a recognizable visual signature.
The overall tone feels contemporary and technology-forward, combining friendly rounded edges with a precise, schematic structure. Its softened geometry suggests digital interfaces, sci‑fi labeling, and modern product aesthetics, while the consistent stroke and open counters keep it approachable rather than severe.
Likely intended to deliver a futuristic geometric sans that stays legible while projecting a clean, modular identity. The consistent stroke and rounded-rectangle construction appear designed to create a cohesive, system-like feel across alphanumerics for digital-first branding and display use.
The design’s character comes from the interplay of squared rounds and deep corner radii, which creates distinctive, almost stencil-like negative shapes in some glyphs. Diagonals and joins stay smooth and restrained, emphasizing a coherent “system” look across uppercase, lowercase, and figures.