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Free for Commercial Use

Stencil Gylo 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Folio EF' by Elsner+Flake, 'Denso Sans' by Monotype, 'Fixture' by Sudtipos, and 'Folio' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, industrial, authoritative, utilitarian, military, poster-like, impact, space-saving, marking, stencil styling, rugged tone, condensed, blocky, stenciled, vertical, high-impact.


Free for commercial use
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A condensed, heavy block display with squared silhouettes and consistent stroke weight. Forms are built from vertical, rectangular stems with minimal curvature, producing a tight, upright rhythm and strong vertical emphasis. Clear stencil breaks appear throughout—most notably in counters and joins—creating distinct bridges and segmented bowls in letters like O, B, R, and S. Terminals are flat and blunt, apertures tend to be narrow, and spacing is compact, resulting in dense word shapes that read as solid, stamped units at larger sizes.

Best suited to large-scale display uses where the stencil detailing can stay open and legible—posters, headlines, product labels, and bold packaging statements. It also fits signage-like applications and thematic graphics that want a stamped or cut-metal look more than long-form readability.

The overall tone is tough and functional, with a stamped, fabricated feel that suggests industrial marking and official labeling. The stencil cuts add a tactical, utilitarian character, while the extreme compression and weight push it toward bold, assertive messaging.

The design appears intended to deliver maximum impact in a compact width while retaining recognizability through stencil bridges and simplified geometry. It aims for a practical, marking-oriented voice—optimized for short, forceful text and high-contrast layouts.

Counters are small relative to the stroke mass, so interior detail relies on the stencil gaps for differentiation. Numerals and uppercase share the same rigid, engineered logic, reinforcing a consistent, sign-paint/stamp aesthetic across the set.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸