Sans Superellipse Higiz 6 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Rama Gothic' and 'Rama Gothic Rounded' by Dharma Type, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'PG Grotesque' by Paulo Goode, and 'Lektorat' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, billboards, packaging, sports branding, industrial, authoritative, condensed, poster-ready, no-nonsense, space saving, maximum impact, bold branding, signage, blocky, compressed, compact, sturdy, impactful.
A tightly condensed sans with heavy, uniform strokes and compact counters. Curves are built from rounded-rectangle geometry, giving bowls and shoulders a squared-off, superelliptical feel rather than true circular rounds. Terminals are mostly blunt and flat, with straight-sided verticals dominating the texture; diagonals (V/W/Y/K) are sharp and weighty, and the overall rhythm is dense and vertical. Lowercase forms are tall and narrow with minimal aperture opening, and figures are similarly compressed and solid, prioritizing mass and presence over interior whitespace.
Best used for headlines, short statements, and display settings where a dense, high-contrast presence on the page is beneficial. It can work well on posters, billboards, packaging callouts, and bold branding applications that need maximum impact in limited horizontal space.
The font projects a loud, forceful tone—more utilitarian than friendly—suited to high-impact communication where urgency, strength, or strictness is desired. Its compressed proportions and blocky curvature evoke industrial signage and headline typography with a deliberate, commanding voice.
The design appears intended to deliver maximum visual force in a narrow footprint, using squared-rounded construction and uniform stroke weight to create a strong, scalable display voice. It emphasizes solidity and legibility at large sizes, making it effective for attention-grabbing typography.
At larger sizes the superelliptical rounding becomes a defining signature, while at smaller sizes the tight counters and compressed spacing can make text feel dark and crowded. The overall color is very even, with little modulation, producing a continuous, emphatic band in lines of text.