Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Stencil Gyla 2 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Cream Opera' by Factory738, 'Hops And Barley' by Fenotype, 'Narrow Stencil JNL' by Jeff Levine, and 'Merchanto' by Type Juice (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, branding, industrial, authoritative, utilitarian, retro, mechanical, space saving, high impact, marking aesthetic, stencil clarity, condensed, blocky, stenciled, hard-edged, monoline.


Free for commercial use
Customize the font name

A condensed, monoline sans with tall proportions and blocky, hard-edged terminals. Stencil breaks appear consistently across stems and bowls, creating distinct internal bridges that keep counters open while preserving a heavy, poster-like silhouette. Curves are simplified and slightly squared-off, with minimal modulation and a crisp, uniform stroke weight that produces a tight, rhythmic texture in lines of text.

Best suited for display settings where a condensed, high-impact word shape is needed—posters, headlines, labels, and signage. It can also work for branding and packaging that benefit from an industrial or tactical tone; for longer passages, larger sizes and generous tracking help maintain clarity through the stencil breaks.

The overall tone is utilitarian and mechanical, with an industrial, no-nonsense presence. The stencil interruptions add a tactical/operational flavor that feels assertive and functional rather than decorative, leaning into a retro signage and equipment-marking aesthetic.

The design appears intended to deliver a compact, forceful display voice while clearly signaling a stencil construction. Its tall, condensed proportions maximize impact in limited horizontal space, and the consistent bridges provide a practical, marked-object feel appropriate for titles and identifiers.

Counters tend to be narrow and vertically oriented, reinforcing a compact, high-impact voice. The stencil joins are sized to remain visible at display sizes, giving letters a segmented look that stays legible while adding character. Numerals follow the same segmented logic, maintaining consistency with the caps and lowercase.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸